Bio & Statement

With his images, Emanuele Giusto pursues the “more than real” concept. He regards the complex reality system as a set of unique microcosms. Werner Eisenberg’s Uncertainty Principle states that when we acquire certain information through observation, at the same time we loose unavoidably some other information, by physical law. When our attention focuses on one reality, the surroundings get inevitably more or less blurred. Giusto’s analysis is the product of his unique look, where his intuition plays a fundamental role.

 

My Artwork is about reality, Is about intuition to pursue the “more than real” concept. In my picture I want to show the multilevel complexity of reality, giving to the viewer a deep experience that is not just look, but also feel, and understand in empathic way what is my feelings living that instant.
I add to the Werner Eisenberg’s Uncertainty Principle the human feeling and point of view.

Emanuele Giusto (Italy) is an author.  In art, in direction, in writing, reporting, in feature films or videos.  He creates Reports, Books and Photos for media, institutional, advertising and international art contexts. He is currently based in Madrid.

With KANTFISH (kantfish.com) he produces videos and animations for FAO United Nations. His articles and reports are being published in L’Espresso (Italy), El País Semanal (Spain), The Guardian (UK) and Foreign Policy (USA), and his photos are distributed by the Associated Press agency.

Books published: “Around Europe for 30 Euros” (Feltrinelli Editore) and photo-book “Angola” (Grupo Planeta).

In 2012 his photo series “Movimiento linear de salida” was in the International Plastic Arts Award Obra Abierta (best images).

“Creo en los instantes de Newton, en aquellos construidos del Saudek, en los blancos de Avedon, en las composiciones y colores de Franco Fontana, en los desenfoques de Plossu Bernard, en la búsqueda visual de Michael Najjar, me refiero a estéticas de moda, de tendencias, de artistas urbanos como Bansky, a la narrativa diferente de Kapuściński, al atrevimiento de Araki, a las formulas alternativas y novedosas de Joe Sacco o Art Spiegelman que cuentan historias ya conocidas de una manera altamente impactante, o al delirio de las carreteras perdidas de David Lynch. Mis obras son expresión de vivencia, de interacción y sobre todo de inmersión.La búsqueda y el estudio de la belleza es imprescindible para ellevar a otro nivel el concepto interpretativo de la realidad. Creo en una interpretación de la realidad “más que real”. Utilizo mi trabajo para un cambio, tanto en la vivencia personal como a nivel social. Una exploración y conocimiento de lo más profundo de nuestra existencia”.


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