In Perspective of a New Order I Kantfish proposes a critical reading of the urban landscape as a reflection of a fragmented collective consciousness. The photographic documentary artwork unfolds a visual universe of movement, color and tension, where the saturation of stimuli reproduces the informative vertigo of our times. In this scenario, the city becomes a metaphor for chaos. A structure in constant mutation where the clear message is “don’t stop”. The attractive, full of colors, reveals the chaotic to the attentive eye. It becomes clearer the confusion that reveals the fragility of an increasingly precarious balance.

The perspective of a new order does not emerge from harmony, but from collapse. Between the attraction of light and the oppression of noise, Kantfish captures the instant in which perception dissolves, where the real is distorted and the mind -overexposed to the continuous flow of data- loses its center. This confusing interpretation of reality, typical of contemporary hyperconnectivity, generates profound psychological effects: disorientation, anxiety, a silent and dilagent depression that fills the social fabric as a consequence of a cognitive and emotional overload.

Perspective of a New Order I belongs to the Metropolis series, a project in which Kantfish examines how urban symbols of success and progress become distorting mirrors of our human condition. What once represented aspiration, today reveals emptiness; what appeared to be order, is pure fluctuation. Through the fusion of the documentary and the imaginary, the artist invites us to reconsider our relationship with reality, with the gaze and with the very meaning of being present in a world that never stops moving.